|
|
 |
|
|
 |
|
|
|
|
 |
|
Michelle Tattenbaum (Director/Producer) has previously collaborated with Ethan Youngerman on various projects, theatrical and otherwise, including his play An Archipelago of Clouds at FringeNYC. Other NY Credits: Manhattan Theatre Club, Lincoln Center Directors’ Lab, NYC Fringe Festival, Here Arts Center, and NY Musical Theatre Festival. Regional Credits: Williamstown Theatre Festival, Goodspeed Opera House, and Hangar Theatre. She is a member of the First Look Theatre Company and is a two-time Drama League Directing Fellow. |
|
|
|
|
|
|
|
Ethan Youngerman (Playwright/Producer) previously collaborated with Michelle on his play, An Archipelago of Clouds at the New York Fringe Festival. His plays have also been workshopped or performed at: MTC, The Hangar Theater, Irish Arts Center, PSNBC and Brooklyn Rep. His screenplay, Is He For Real? is currently in pre-production with RGM in Australia. Ethan is a writer for the second season of theburg.tv. He got his MFA in Dramatic Writing from NYU, where he’s currently a Lecturer in the Expository Writing Program. |
|
|
|
|
|
|
|
|
|
|
Aruba Productions (Producing Consultant) develops, manages, produces, and licenses theatrical properties and events. Business partners Ken Denison and Carol Fishman, along with associate Dan Watkins, have recently managed Machiavelli, multiple mountings of Bingo: The Musical, A John Denver Holiday Concert, Almost Heaven, and the Broadway production and national tour of Brooklyn The Musical. Upcoming projects include The Prince and the Pauper (directed by Jeff Calhoun), Peggy Sue Got Married, Silence! The Musical, Grumpy Old Men: The Musical (directed by Glenn Casale), and The Screwtape Letters. |
|
|
|
|
|
| New York Cast: |
|
|
|
|
|
|
|
 |
|
Erin Maya Darke (Melanie) graduated from the University of Michigan-Flint with a BFA in performance. Since moving to New York, she has performed with the American Theatre of Actors, The Instant Shakespeare Company, The Impact Theatre in Brooklyn and she recently appeared in the Chester Horn Short Play Festival production Garlic & Milk. Favorite roles include Viola in Twelfth Night, Nan/Lina in Three Days of Rain and Callie in Stop Kiss. Erin would like to thank everyone who continues to support and contribute to this wonderful art form. |
|
|
|
|
|
 |
|
Adam Hyland (Eric). Recently arrived from Washington, DC, Adam Hyland trained at the Studio Theatre Acting Conservatory and the Theatre School at Woolly Mammoth. Favorite roles include Angels in America (Prior Walter), Cabaret (Clifford Bradshaw), and The Seagull (Konstantin). In December, he will also be performing in The Best Party Ever at the Richmond Shepard Theatre here in New York. Much love to Mom and Dad. |
|
|
|
|
|
 |
|
Christian Maurice (Man), originally from Detroit, MI, has been living and working in NYC for the past six years. He has performed regionally with the Chattam Theater Co., Mt. Washington Valley Theater Co., and the Williamstown Theater Festival to name a few. He has also premiered two original works at the New York International Fringe Festival: Be What You Eat and S.U.V. - The Musical. Most recently he workshopped two new musicals, Whatever Man by Ben Strouse and Showchoir - The Musical. Christian graduated from Marymount Manhattan College with a degree in Acting and Musical Theater. Much thanks to my boys at "The Loft", the Detroit crew, and of course my ever supportive mother. |
|
|
|
|
|
|
|
|
|
 |
|
Marshall Sharer (Harry): Credits include This Lime
Tree Bower
(The Belt),
The Mail Order
Bride (LAByrinth
Barn Series),
Going After
Alice (LAByrinth
Barn Series),
Sunny
(Ensemble Studio
Theatre
Institute Lab),
Dutch Masters
(Centerstage
NY), and
Chapter One
(Centerstage
NY). Film
credits include
“The Blur of
Insanity” (John
Hussar, dir),
“Prologue”
(Michael
Sheridan, dir),
“Silence” (Hirotsugu
Ikeda, dir), and
“APursuit Race”
(Tom Glynn,
dir). Marshall
thanks Ethan and
Michelle for the
opportunity to
work on The
Sublet
Experiment. |
|
|
|
|
|
 |
|
Stephen Squibb (Harry): Favorite credits include: Drinking In America, Hedda Gabler (dir. Gabriel Hainer Evansohn) Banquo, (Cherry Lane Studio) Trigorin, (Evert Sprinchorn, dir.) Lysander, (Doug Mercer, dir.) Much Ado About Nothing, (Steve Maler, dir.) Vince, (Buried Child), Never the Sinner, (w/Teddy Bergman) Guildenstern, (Rosencrantz and Guildenstern Are Dead) Raoul, (Extremities), and Green Eyes, (Deathwatch). He is a founding member and co-Artistic Director of Woodshed Collective, and a graduate of Vassar College. |
|
|
|
|
|
|
|
Jenni Bowman (Production
Coordinator,
Aruba
Productions) a
graduate of the
Conservatory of
Theatre Arts at
Webster
University, is
thrilled to be a
part of The
Sublet
Experiment.
Previous stage
management
credits include
the Mermaid
Parade at Coney
Island, NYU
Tisch Grad
Acting School,
NY Musical
Theatre
Festival, Utah
Shakespearean
Festival,
Repertory
Theatre of St.
Louis, The Muny
and the Alley
Theatre, among
others. |
|
|
|
|
|
|
|
Tim Boyce (Sound Designer) holds a BA from Le Moyne college in Syracuse NY. Was the lead audio tech for the Utah Shakespeare Festivals `06 fall season. Assistant Audio Engineer for the `05/`06 season at Syracuse Stage. Recent design projects include A 4th Grade Nothing for the Hangar Theatre, and Rounding Third for the Red House. Prior credits include She Stoops to Conquer, Real Love, and assistant design on Member of the Wedding. Prior NYC credits include Gallathea at HERE Arts Center. |
|
|
|
|
|
|
|
Karen S.
Holloway (Stage
Manager)
graduated with
an M.A. in
Theatre at
Regent
University and
also trained at
the
International
Film &
Television
Workshops in
Rockport, Maine.
She has worked
as a script
supervisor on
various film and
television
projects. Since
moving to New
York this past
summer, Karen
stage managed
the musical
Angels at
the Duke Theatre
on 42nd Street
as part of the
New York Musical
Theatre
Festival. |
|
|
|
|
|
|
|
Jessica Pabst (Costume Designer): Previous designs include: The Tale of the Allergist's Wife (New London Barn Playhouse), Fallen Angel (NY Fringe Festival, 2006 best musical), Blood Wedding (Woodshed Collective), Quail (Clubbed Thumb Summer Works Festival), Massholia-The Musical (Theatreflexive), and Othello (NYU). Jessica currently lives in New York City where she has worked and assisted at Playwrights Horizons, The Public Theatre, The Atlantic Theatre Company, and The Signature Theatre. Jessica attended New York University's Tisch School of the Arts. |
|
|
|
|
|
|
|
|
|
|
|